redfiona99: (fencing)
I did warn you all that it would be a very occasional series. There are also spoilers for the book and for the way various films and adaptations vary from the book.

There are many, many filmed versions of the Three Musketeers, and I will not cover them all.

The Three Musketeers is an interesting beast. Like all of Dumas's work, there's a deep, multifaceted story hiding underneath the action adventure headline. When they make adaptations, they tend to stick to the broad strokes of the action adventure story. Very broadly, most of the time.

That does mean that it's very easy to name the best adaptation of the Three Musketeers.



It's easy because it's the only one that passes both my basic requirements:

1 - None of the Musketeers are presented as an idiot (except you know those moments when they are in the book, D'Artagnan, you hot-headed young fool)
2 - The Cardinal is an antagonist, not a villain.

The Cardinal was very much a foundational character for me. Here we have someone who is doing his level best to defeat our heroes, and our heroes are sworn to beat him back but even they admit he is probably a better ruler than the person they're fighting for. They're only against him because they've promised to fight for the King. The Cardinal meanwhile, is a reasonable villain, he only wants what's best for France, and has no time for vendettas. He's not boo-hiss villainy and he doesn't want the crown. He just wants the King to do as he's told.

And in this film I get *that* played by Vincent Price. (He even gets a white cat to stroke sinisterly.)

All that, and excellent swordfights - give me a dancer and I can make a fine fencer out of them - and glorious technicolour and Lana Turner in glorious technicolour ... oh it's marvellous and perfect, and actually elides very little of the plot given when it was made.

A lot of other people like the Michael York/Richard Lester films but for me they fail point 1 - they make Porthos an idiot and I will not stand for this because Porthos is my favourite (please don't tell the others because they are also my favourites).

The Chris O'Donnell version fails on point 2. The Cardinal is a boo hiss villain in it - I know they had Tim Curry and temptation can be hard to resist but he can do more than just boo hiss villainy - *and* they screw up Milady. The idea of a Milady de Winter who voluntarily throws herself off a cliff misses something/everything about the character. It also messes with her death being at the hands of our heroes (or at least due to their decision to hand her over to the Axeman of Lille), and the question of "what does that make them?" It makes them our beloved, damaged broken heroes, but you know, not necessarily nice. I have had the argument in the "Dumas Club" in real life, and well, I am on Aramis's side. Although, I admit I have occasionally had problems and thought "what would the Musketeers do?" and then immediately done the opposite. As a strategy, it works.

The Logan Lerman/Paul WS Anderson version is actually solid for all that it changes a lot, and at least it passes points 1 and 2. It could do with more Porthos (Ray Stevenson as Porthos <3 <3 <3) and I have no idea what to do with a version of Athos who gets over himself (I love you really, Athos). It also has Christoph Waltz giving it quietly sinister as Richelieu and Freddie Fox as an adorbs King Louis and I am generally fonder of it than I ought to be.

Similarly changing everything but with enough charm to get away with it is the recent BBC Musketeers, which is very much in name only but I forgive them. There are also two old BBC adaptations which I have not seen but would dearly love to, one with Roger Delgado as Athos, and one with Jeremy Brett as D'Artagnan and Brian Blessed as Porthos (which my mother has raved about for my entire life, but may have suffered from the BBC wiping it).

If you want something a little different I recommend Dogtanian and the Muskehounds.



(I, like many of my generation, can sing this song word for word without excessive thought) (If you would like to hear it in a variety of languages, please see here - https://www.youtube.com/watch?v=6XQGZ_1sjjI)

Now Dogtanian does one weird thing, which is switch Athos and Porthos's characters, but none of the Musketeers are idiots and while the Cardinal is mean, he doesn't want to be king. Special note, I mean the TV show not the recent film version of this. I'm not sure why the film just didn't work for me while the TV show did but it didn't.

Avoid at all costs:

The Musketeer - https://www.imdb.com/title/tt0246544/

Which is the third worst film I have ever seen.

I don't know how you make the Musketeers boring and tedious, but somehow this film manages it.

Rochefort is now mysteriously called Febre, and it Tim Roth giving it villainy (which he can do, but it just doesn't work in this film). It also has Stephen Rea as Richelieu and somehow doesn't use that to it's own advantage.

Then again, it's also a version of the Musketeers where Athos only appears in one scene and we never see the Three Inseparables together.

It's terrible and I disrecommend it utterly.

Now for something completely different:

I finish with something only partly related to the Three Musketeers, but it's thing of marvel and wonder.



Philippe Candeloro does proper fencing footwork on ice skates!!!

No, you need to understand - the number of actors in normal shoes who don't do proper footwork and he's doing it on ice skates. Technically accurate footwork on ice skates!!!

(It is also my second favourite men's programme ever. The only thing that beats it is Yagudin's Winter short programme [although Yagudin's Man in the Iron Mask is not bad either.])
redfiona99: (Default)
The case for the prosecution: The Three Musketeers edition of my "Sword Fighting Films" posts is about 5 paragraphs away from beig done, but the flaws of this film will make an appearance.

It fails one of my two criteria for being a good Musketeer film - the Cardinal is out and out evil. Tim Curry would have made an excellent Cardinal in a different film.

Rebecca de Mornay may have made a good Milady in another film, but this film totally misunderstands Milady.

Kiefer Sutherland might have made a good Athos 10 years later, and when he wasn't in one of his "anything is better than acting" moods.

None of the problems are due to Chris O'Donnell, Charlie Sheen or Oliver Platt, who is a credible Porthos, but this is the sort of film that has Milady looking for forgiveness and randomly has Paul McGann playing two different characters.

I hold this film responsible for more recent adaptations killing off D'Artagnan's father and Porthos being a pirate/thief/criminal.

As a whole, the film just doesn't work.

The scene itself:

So, for background, in this version, the Musketeers have been disbanded on pain of death. Our 3 + 1 Musketeers have found out the Cardinal is planning to kill the King and have rushed to save him. They know this means almost certain death but have tried to send a message to the other Musketeers. As of the start of the scene, they have no idea if the message has got through or if anyone will come, but you know, they swore an oath to protect the King so they are going to try.

The full scene can be seen here in Italian - https://www.youtube.com/watch?v=B4SBoWrT8II

The scene in English, missing the bit explaining why Athos, Porthos and Aramis are rushing forward, can be found here - https://www.youtube.com/watch?v=GR6GOVntrlU

Why the scene is so good:

It's the "yes, we're dead if we fail but we swore an oath", it's the fact that of course the other Musketeers, every last one, came. It's that they wore the uniforms under their cloaks. It's the music. It's every ridiculous bombastic OTT moment.

One for all and all for one, my friends.

(I am hopeless)
redfiona99: (Thinking)
There is a link, eventually.

I have decided that there is nothing wrong with Grimm that couldn't be fixed with better writing and an actor who can actually act in the lead role. He seems like a nice guy but he suffers from having one facial expression.

That being said, I hope they don't kill off his girlfriend or his partner, because I fear it's the kind of show that would go for that kind of drama.

On a similar tip, and I know it's finished but please no spoilers, I hope they don't kill of Aizawa in Death Note. He is also lovely. But then again most of the characters are, even the various Gods of death. It's going to be very painful when it all goes to hell when Kira is revealed.

Also on a similar tip, and containing spoilers for a book published in 1844, dear BBC Musketeers, you know how BBC shows quite frequently change the details of the things they're adapting. Could you maybe not kill off Constance? It would be the most lovely thing you could do, because I am as in love with her as D'Artagnan is and it would hurt. Also, by the by, the Milady defenders always seem to forget that she killed Constance out of sheer malice. The rest I could forgive her for, but not that.
redfiona99: (Thinking)
I am utterly the wrong person to be talking about this show because fwheee! It was made for me.

I'm also a week behind because of travel.

The new Musketeers feels very much as though it's been written by someone who has read the book and realised what the important parts are, like swordfights and personality, and that everything else is optional.

And it's good enough that I don't care.

They've given me three roguish Musketeers, an adorable D'Artagnan, a stunning Milady, a Constance I am already in love with and a Cardinal who is not evil (as such) and is just trying to do what he thinks is best for France.

The Cardinal not being evil and none of the Musketeers being bumbling fools is what I like the most.

Further details under the cut )

It wasn't perfect, mind you. I can see why N thought the lingo was a little too modern. I didn't mind that, but I minded Anne of Austria being a Spanish princess!!!

But overall, good and solid and I now totally have an excuse for dressing up as Aramis. I look nothing like Aramis in the Gene Kelly version, or Charlie Sheen, Richard Chamberlain or Jeremy Irons. I look slightly more like Luke Evans. But Santiago Cabrera's Aramis I can definitely do.

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