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So, there's this story that I'm writing as a novel, to hopefully maybe get published because what are we all if not wannabe "real" writers (before anyone yells, please note the bunny ears on real). And this is version two and a half, the half being the thinking but not writing stage that everything I write goes through. And throughout the mental stage and version one, it's been very simple, character A ends up with character B, characters C and D end up together, and character E spends the rest of their life happily doing the thing they love most.
So I'm writing and it's going fine, when suddenly, the character want to go off and be all A/E. This is not good, the rest of the plot is set up for A/B. I mean, it can be changed but argh! I'm still not sure what to do, but the point (or conversation rather) of no return is about to occur in the story.
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There's been another withdrawal in the Croatian squad (poor Slaven Bilic, in words you'd never thought I'd say) so the diagram will have to wait. It does also mean that the two Croats that have been subbed in will have their names properly annotated with proper diacritics which my laptop is being obscure about. However, given that it is frequently obscure about umlauts as well (as is my work computer grr), I think háčeks might be beyond it.
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Shakespeare Meme - Day #23: A role you've never played but would love to play
Well I got to read Mercutio when we did Romeo and Juliet at school but I am well aware I have the acting abilities of a trout. No, my plans are all for directing plays. I have a thoroughly thought out plan for Romeo and Juliet, which I grant is heavily influenced by the ballets.
I do worry that there is the possibility of me turning into a monomaniacal director terrible a la Fraiser but I have yet to find that out.
I also have a version of 'Sleeping Beauty' if anyone is interesting which is revolutionary, if only in the sense of actually giving the swans something to do. I've yet to see any version of 'Sleeping Beauty' that shows any sign of anyone involved ever having had anything to do with swans. They're evil blighters, I don't see why they're so meek and mild in the ballet.
( Other Days )
So I'm writing and it's going fine, when suddenly, the character want to go off and be all A/E. This is not good, the rest of the plot is set up for A/B. I mean, it can be changed but argh! I'm still not sure what to do, but the point (or conversation rather) of no return is about to occur in the story.
~~~~
There's been another withdrawal in the Croatian squad (poor Slaven Bilic, in words you'd never thought I'd say) so the diagram will have to wait. It does also mean that the two Croats that have been subbed in will have their names properly annotated with proper diacritics which my laptop is being obscure about. However, given that it is frequently obscure about umlauts as well (as is my work computer grr), I think háčeks might be beyond it.
~~~~
Shakespeare Meme - Day #23: A role you've never played but would love to play
Well I got to read Mercutio when we did Romeo and Juliet at school but I am well aware I have the acting abilities of a trout. No, my plans are all for directing plays. I have a thoroughly thought out plan for Romeo and Juliet, which I grant is heavily influenced by the ballets.
I do worry that there is the possibility of me turning into a monomaniacal director terrible a la Fraiser but I have yet to find that out.
I also have a version of 'Sleeping Beauty' if anyone is interesting which is revolutionary, if only in the sense of actually giving the swans something to do. I've yet to see any version of 'Sleeping Beauty' that shows any sign of anyone involved ever having had anything to do with swans. They're evil blighters, I don't see why they're so meek and mild in the ballet.
( Other Days )
